Type Any Name
ZeftTime no.8
Vest
Al Warka Vase
She/He Has No Picture
Babylon Curse III
Babylon Curse II
Babylon Curse I
Study Of Chair
Study Of Seated Figure
Deep Sleep
Deep Sleep
Blocks
Study Of Bather With Talisman
Untitled | ref.9
Untitled | ref. 8
Untitled | ref. 7
Untitled | ref. 6
Untitled | ref. 5
Untitled | ref. 4
Untitled | ref. 3
Memory Of The Land
Memory of the Land Animated Short movie. “Palestine. A body is trapped at a checkpoint; an essential mechanism of the Israeli occupation. The body is pierced by structural and physical violence, which is aggressive and arbitrary and prevents and attacks its free...
First Step
Motherhood
Shahrayar
Arab Love Ltories
Untitled I ref #1
Untitled I ref #2
Untitled I ref #3
Children Playing
Departure
The Sound of Jerusalem V
“ For the Sound of Jerusalem, I photographed Jerusalem’s skylines from 360 degrees and then flattened them into one horizontal plane. What emerges is a sound-wave like visual as if musical notations. Later, I will commission a sound artist to interpret the ‘audio...
The Sound of Jerusalem VI
“ For the Sound of Jerusalem, I photographed Jerusalem’s skylines from 360 degrees and then flattened them into one horizontal plane. What emerges is a sound-wave like visual as if musical notations. Later, I will commission a sound artist to interpret the ‘audio...
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The Great March of Return
“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...
The Sound of Jerusalem I
“ For the Sound of Jerusalem, I photographed Jerusalem’s skylines from 360 degrees and then flattened them into one horizontal plane. What emerges is a sound-wave like visual as if musical notations. Later, I will commission a sound artist to interpret the ‘audio...
The Sound of Jerusalem II
“ For the Sound of Jerusalem, I photographed Jerusalem’s skylines from 360 degrees and then flattened them into one horizontal plane. What emerges is a sound-wave like visual as if musical notations. Later, I will commission a sound artist to interpret the ‘audio...
The Sound of Jerusalem III
“ For the Sound of Jerusalem, I photographed Jerusalem’s skylines from 360 degrees and then flattened them into one horizontal plane. What emerges is a sound-wave like visual as if musical notations. Later, I will commission a sound artist to interpret the ‘audio...
The Sound of Jerusalem IV
“ For the Sound of Jerusalem, I photographed Jerusalem’s skylines from 360 degrees and then flattened them into one horizontal plane. What emerges is a sound-wave like visual as if musical notations. Later, I will commission a sound artist to interpret the ‘audio...
EverLand I ref #7
“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...
EverLand I ref #8
“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...
EverLand I ref #9
“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...
EverLand I ref #1
“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...
EverLand I ref #2
“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...
EverLand I ref #3
“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...
EverLand I ref #4
“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...
Animation 173
“The truncated legs are the protagonist of the animation film "Memory of the Land". They are a metaphor of the fragmented "body” - “land". The eyes are it's expressive channel.” Samira Badran
Animation 176
“The truncated legs are the protagonist of the animation film "Memory of the Land". They are a metaphor of the fragmented "body” - “land". The eyes are it's expressive channel.” Samira Badran
Animation 179
“The truncated legs are the protagonist of the animation film "Memory of the Land". They are a metaphor of the fragmented "body” - “land". The eyes are it's expressive channel.” Samira Badran
Animation 182
“The truncated legs are the protagonist of the animation film "Memory of the Land". They are a metaphor of the fragmented "body” - “land". The eyes are it's expressive channel.” Samira Badran
Animation 185
“The truncated legs are the protagonist of the animation film "Memory of the Land". They are a metaphor of the fragmented "body” - “land". The eyes are it's expressive channel.” Samira Badran
Collective Memory #06
“The brain embraces memory; territory, texture and relics, all put together they form the collective architecture of memory.” Samira Badran
Collective Memory #05
“The brain embraces memory; territory, texture and relics, all put together they form the collective architecture of memory.” Samira Badran
Siege #05
“One of the major obstacles the Palestinians have been facing is the stringent restrictions on their free movement between areas of what became fragmented territory. The truncated legs are inspired by orthopedic prosthesis. I wanted the legs to portray ...
Siege #04
“One of the major obstacles the Palestinians have been facing is the stringent restrictions on their free movement between areas of what became fragmented territory. The truncated legs are inspired by orthopedic prosthesis. I wanted the legs to portray ...
Siege #02
“One of the major obstacles the Palestinians have been facing is the stringent restrictions on their free movement between areas of what became fragmented territory. The truncated legs are inspired by orthopedic prosthesis. I wanted the legs to portray ...
Excuse Me Peter Doig: This is a Sea Canoe
Fayez
“A child’s innocent interpretation can be an Artist’s inspiration; it was in 1977 that I was drawing a study of an old brick mold machine left abandoned at the outskirts of Jerusalem, that a curious young boy, named Fawzi, sat next to me to watch what I was doing....
Fanning The Sea
“I am very concerned with those useful and curious objects which, with the passage of time, they cease to function, however, continue to retain all their memory”. Samira Badran
Collective Memory #09
“The brain embraces memory; territory, texture and relics, all put together they form the collective architecture of memory.” Samira Badran
Excuse Me Mr. Kiefer: This is Our Grief
Sortie #02
ZeftTime #01
Art is a homogenous reflection of every moment in my life. In the fall of 2019, I began researching my latest project - ZeftTime*, only to discover that the whole world has entered into a collective ZeftTime, with the onset of the Covid19 pandemic. The new reality...
ZeftTime #02
Art is a homogenous reflection of every moment in my life. In the fall of 2019, I began researching my latest project - ZeftTime*, only to discover that the whole world has entered into a collective ZeftTime, with the onset of the Covid19 pandemic. The new reality...
ZeftTime #03
Art is a homogenous reflection of every moment in my life. In the fall of 2019, I began researching my latest project - ZeftTime*, only to discover that the whole world has entered into a collective ZeftTime, with the onset of the Covid19 pandemic. The new reality...
Be Nice
Couple I ref #8
Yousef
Both
Squatting
Denied
The Artist And His Model
Man
Couple I ref #6
Two Men I ref #2
Untitled I ref #15
Couple I ref #2
Couple I ref #3
Deformation
Untitled I ref #36
Couple I ref #5
Two Men I ref #1
Couple I ref #7
Momenta Storage, ref #2
Momenta Storage, ref #3
Peace Trade
In The Name of Peace
This Green Is Not Green
“In a letter, dated October 16, 1996, that Shakir Hassan Al Saʿid wrote to me from Amman he drew a relationship between a garden he had visited and the rug on which he prayed. He identified the trees in the garden, in ‘various shades of green,' as he wrote, with the...
Something I Have Learnt, ref #11
Something I Have Learnt, ref #12
Something I Have Learnt, ref #13
Momenta Storage, ref #1
Red Moon
Red moon and white Moon hold an important significance in the historical journey of the artist’s work. At the time of executing these works the artist knew that these were very contemporary works; however, being in Baghdad and living the dire conditions of life in the...
Ashes
The exhibition traced the artistic influences immigrants in the United Kingdom had on local artists and movements. Amongst the artists featured in this exhibition were modern masters such as Claude Monet, Piet Mondrian, and Camille Pissarro, alongside Kurt Schwitters...
Illuminated Ruins
Omen
Three Red Roses
Malallah also paints roses in another work: “1700 Landscape” (2014) *. This painting was done in response to the Camp Speicher Massacre on 12 June 2014 where it was estimated that 1700 people lost their lives. It is a rather large 200 x 200 cm depicting countless...
The Aftermath
The “Aftermath”, was executed during 1993 in the aftermath of the first Gulf War while it has a lot of the Sumerian faces and a Sumerian Capricorn, it did integrate current time symbolism such as the petrol tower that was burning on the bottom righthand side and the...
White Moon
Red moon and white Moon hold an important significance in the historical journey of the artist’s work. At the time of executing these works the artist knew that these were very contemporary works; however, being in Baghdad and living the dire conditions of life in the...
In The Name Of The Materials
This unique artwork is from the private collection of the artist, it is also documented in her book “Hanaa Malallah: 5.50.1.1.40.1.30.1.30.30.5” published 2018. This work was shown in her solo exhibition entitled "Vivid Ruins" at the Mosaic Rooms of the Qattan...
