Samira Badran

Bahram Hajou

Monther Jawabreh

Hanaa Malallah

Steve Sabella

Hani Zurob

About Artzotic

News & Highlights

Shaker Hassan

M. Muhriddin

Samira Badran

Bahram Hajou

Monther Jawabreh

Hanaa Malallah

Hani Zurob

Steve Sabella

Mohammed Muriddin

Shaker Hassan

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Memory Of The Land

Memory Of The Land

Memory of the Land Animated Short movie. “Palestine. A body is trapped at a checkpoint; an essential mechanism of the Israeli occupation. The body is pierced by structural and physical violence, which is aggressive and arbitrary and prevents and attacks its free...

The Sound of Jerusalem V

The Sound of Jerusalem V

“ For the Sound of Jerusalem, I photographed Jerusalem’s skylines from 360 degrees and then flattened them into one horizontal plane. What emerges is a sound-wave like visual as if musical notations. Later, I will commission a sound artist to interpret the ‘audio...

The Sound of Jerusalem VI

The Sound of Jerusalem VI

“ For the Sound of Jerusalem, I photographed Jerusalem’s skylines from 360 degrees and then flattened them into one horizontal plane. What emerges is a sound-wave like visual as if musical notations. Later, I will commission a sound artist to interpret the ‘audio...

The Sound of Jerusalem VII

The Sound of Jerusalem VII

“ For the Sound of Jerusalem, I photographed Jerusalem’s skylines from 360 degrees and then flattened them into one horizontal plane. What emerges is a sound-wave like visual as if musical notations. Later, I will commission a sound artist to interpret the ‘audio...

The Sound of Jerusalem II

The Sound of Jerusalem II

“ For the Sound of Jerusalem, I photographed Jerusalem’s skylines from 360 degrees and then flattened them into one horizontal plane. What emerges is a sound-wave like visual as if musical notations. Later, I will commission a sound artist to interpret the ‘audio...

The Sound of Jerusalem III

The Sound of Jerusalem III

“ For the Sound of Jerusalem, I photographed Jerusalem’s skylines from 360 degrees and then flattened them into one horizontal plane. What emerges is a sound-wave like visual as if musical notations. Later, I will commission a sound artist to interpret the ‘audio...

The Sound of Jerusalem IV

The Sound of Jerusalem IV

“ For the Sound of Jerusalem, I photographed Jerusalem’s skylines from 360 degrees and then flattened them into one horizontal plane. What emerges is a sound-wave like visual as if musical notations. Later, I will commission a sound artist to interpret the ‘audio...

The Sound of Jerusalem I

The Sound of Jerusalem I

“ For the Sound of Jerusalem, I photographed Jerusalem’s skylines from 360 degrees and then flattened them into one horizontal plane. What emerges is a sound-wave like visual as if musical notations. Later, I will commission a sound artist to interpret the ‘audio...

The Great March of Return

The Great March of Return

“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...

EverLand I ref #9

EverLand I ref #9

“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...

EverLand I ref #8

EverLand I ref #8

“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...

EverLand I ref #7

EverLand I ref #7

“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...

EverLand I ref #1

EverLand I ref #1

“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...

EverLand  I ref #3

EverLand I ref #3

“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...

EverLand I ref #2

EverLand I ref #2

“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...

EverLand I ref #4

EverLand I ref #4

“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...

Animation 176

Animation 176

“The truncated legs are the protagonist of the animation film "Memory of the Land". They are a metaphor of the fragmented "body” - “land". The eyes are it's expressive channel.” Samira Badran

Animation 185

Animation 185

“The truncated legs are the protagonist of the animation film "Memory of the Land". They are a metaphor of the fragmented "body” - “land". The eyes are it's expressive channel.” Samira Badran

Animation 182

Animation 182

“The truncated legs are the protagonist of the animation film "Memory of the Land". They are a metaphor of the fragmented "body” - “land". The eyes are it's expressive channel.” Samira Badran

Animation 179

Animation 179

“The truncated legs are the protagonist of the animation film "Memory of the Land". They are a metaphor of the fragmented "body” - “land". The eyes are it's expressive channel.” Samira Badran

Animation 173

Animation 173

“The truncated legs are the protagonist of the animation film "Memory of the Land". They are a metaphor of the fragmented "body” - “land". The eyes are it's expressive channel.” Samira Badran

Siege #05

Siege #05

“One of the major obstacles the Palestinians  have been facing is the stringent restrictions on their free movement between areas of what became fragmented territory. The truncated legs are inspired by orthopedic prosthesis. I wanted the legs to portray ...

Siege #04

Siege #04

“One of the major obstacles the Palestinians  have been facing is the stringent restrictions on their free movement between areas of what became fragmented territory. The truncated legs are inspired by orthopedic prosthesis. I wanted the legs to portray ...

Siege #02

Siege #02

“One of the major obstacles the Palestinians  have been facing is the stringent restrictions on their free movement between areas of what became fragmented territory. The truncated legs are inspired by orthopedic prosthesis. I wanted the legs to portray ...

Collective Memory #06

Collective Memory #06

“The brain embraces memory;  territory, texture and relics, all put together they form the collective architecture of memory.” Samira Badran

Collective Memory #05

Collective Memory #05

“The brain embraces memory;  territory, texture and relics, all put together they form the collective architecture of memory.” Samira Badran

Collective Memory #09

Collective Memory #09

“The brain embraces memory;  territory, texture and relics, all put together they form the collective architecture of memory.” Samira Badran

Fanning The Sea

Fanning The Sea

“I am very concerned with those useful and curious objects which, with the passage of time, they cease to function, however, continue to retain all their memory”. Samira Badran

Fayez

Fayez

“A child’s innocent interpretation can be an Artist’s inspiration; it was in 1977 that I was drawing a study of an old brick mold machine left abandoned at the outskirts of Jerusalem, that a curious young boy, named Fawzi, sat next to me to watch what I was doing....

ZeftTime #01

ZeftTime #01

Art is a homogenous reflection of every moment in my life. In the fall of 2019, I began researching my latest project - ZeftTime*, only to discover that the whole world has entered into a collective ZeftTime, with the onset of the Covid19 pandemic. The new reality...

ZeftTime #02

ZeftTime #02

Art is a homogenous reflection of every moment in my life. In the fall of 2019, I began researching my latest project - ZeftTime*, only to discover that the whole world has entered into a collective ZeftTime, with the onset of the Covid19 pandemic. The new reality...

ZeftTime #03

ZeftTime #03

Art is a homogenous reflection of every moment in my life. In the fall of 2019, I began researching my latest project - ZeftTime*, only to discover that the whole world has entered into a collective ZeftTime, with the onset of the Covid19 pandemic. The new reality...

This Green Is Not Green

This Green Is Not Green

“In a letter, dated October 16, 1996, that Shakir Hassan Al Saʿid wrote to me from Amman he drew a relationship between a garden he had visited and the rug on which he prayed. He identified the trees in the garden, in ‘various shades of green,' as he wrote, with the...

Ashes

Ashes

The exhibition traced the artistic influences immigrants in the United Kingdom had on local artists and movements. Amongst the artists featured in this exhibition were modern masters such as Claude Monet, Piet Mondrian, and Camille Pissarro, alongside Kurt Schwitters...

Red Moon

Red Moon

Red moon and white Moon hold an important significance in the historical journey of the artist’s work. At the time of executing these works the artist knew that these were very contemporary works; however, being in Baghdad and living the dire conditions of life in the...

In The Name Of The Materials

In The Name Of The Materials

This unique artwork is from the private collection of the artist, it is also documented in her book “Hanaa Malallah: 5.50.1.1.40.1.30.1.30.30.5” published 2018. This work was shown in her solo exhibition entitled "Vivid Ruins" at the Mosaic Rooms of the Qattan...

The Aftermath

The Aftermath

The “Aftermath”, was executed during 1993 in the aftermath of the first Gulf War while it has a lot of the Sumerian faces and a Sumerian Capricorn, it did integrate current time symbolism such as the petrol tower that was burning on the bottom righthand side and the...

White Moon

White Moon

Red moon and white Moon hold an important significance in the historical journey of the artist’s work. At the time of executing these works the artist knew that these were very contemporary works; however, being in Baghdad and living the dire conditions of life in the...

Three Red Roses

Three Red Roses

Malallah also paints roses in another work: “1700 Landscape” (2014) *. This painting was done in response to the Camp Speicher Massacre on 12 June 2014 where it was estimated that 1700 people lost their lives. It is a rather large 200 x 200 cm depicting countless...

EverLand I ref #9

EverLand I ref #9

“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...

EverLand I ref #4

EverLand I ref #4

“I photographed, when I lived in Jerusalem, 19th century Palestinian costumes from different areas in Palestine. Then, in Everland years later, I did a photo collage on the computer to create new stitch styles and forms. And the result, as you saw, makes Everland look...